Dec 17


Well, I don’t have a professional studio backdrop for photos, but…

Didn’t come out too badly. I’ve cheated slightly here – the final coat of osmo on the legs is still tacky because the shed never got above 5C today, so it’ll finish curing overnight in the unheated kitchen. But the top has its renaissance wax and it’s been buffed. Tomorrow I’ll wrap it in some spare cloth I have and deliver it.

Dec 17

A day in the shed

So because I spent 2300 to 0400 on Friday night and 0900 to 1830 on Saturday working, I get a TOIL (Time Off In Lieu) day. Which I took today for reasons like waiting on The Plumber Who Never Showed Up. The plan was to spend all day in the shed. But since it hit -3C overnight, first things first.

Earl Gray, hot. With milk just to tick off the purists. And aren’t cast iron Japanese teapots nice? It’s the little things…

So with the shed at a balmy 3.5C, time to get to work, First, put the last coat of osmo on the tabletop and now I have to make some room and get the tabletop off the bench so I can get to it.

It’s not ideal, but needs must. And yes, I do need to clear away that rubbish in the wood bin, but this isn’t the countryside and neighbours wouldn’t take well to a small bonfire. Or for that matter, any fire involving wet MDF. I can’t blame them for that, I’d be miffed at needing a respirator in my own back yard as well. But I digress.

So the legs have been sanded down, given a last coat of the oak tea, let dry for five minutes so that right now the surface is damp to the touch but not actually wet. Time to apply the vinegar&iron solution…

That never gets old. It’s so dark it’s messing a bit with the camera’s auto-white-balance thingy, but it does that to the Mk1 eyeball too.

It’s a little… grubby looking close up. No worries. This is just the first stage, and I’m a bit oddball in that I like that pin-stripe-trousers thing the grain’s doing there. Dunno why, it just looks nice to me. However; now we give it about ten minutes to keep reacting (those were taken about 4-5 minutes in).

And after that time, we paint it in more oak tea, let it dry for five minutes, then more vinegar and iron solution, dry for five minutes, and then a last coat of the oak tea. At this point, it’s about as dark as it’s going to get in the time I have available (it will continue to react for the next 10-12 hours anyway and get darker as it does).

Wake up, time to dry.

They’ll go a kind of dusty purple in the next hour or three; that’s expected.

And now I have some time and a shed with a free bench….

I have an idea here. Trust me.

…or maybe not. I gave up on this idea here; I’ll come back to it over the holidays, but I can’t get it done today and I’ll just mess up the other things I’m working on. I guess recognising this kind of thing and giving up early is a good skill, but it still irks me.

Anyway, I do have something else on my to-do list for today:

Ug. Machines. And they’re ganging up on me now. Yes, it’s bandsaw box time. First though, I have a plan for that bandsaw…

Remember these? Going to fit the smaller ones.

Remove the older, larger thrust bearing.

Gunky! Now replace with the new smaller bearing.

The washer makes it look off-center, but it’s fine. The whole lego-part thing is great with these. Now for the lower thrust bearing, which is more awkward because of course it is. It’s not like being underneath the table would make it awkward enough, you also have to remove the entire assembly to replace the bearing.

Why is the lower post adjustable when you can’t reach it but the upper one isn’t? Le sigh.

Well. That explains a few noises. So much for sealed bearings.

And done. Modified thrust bearings, replacement teflon blade guides. And why go to all this effort? Three-eighths inch blades. Stronger than the normal quarter-inch blade, so you get better straight cuts on long rips (the main reason for having this bandsaw in the first place). But you can’t install them on this bandsaw properly with the normal thrust bearing – the normal bearing shoves the blade forward if you put the teeth gullets in the middle of the bandsaw wheel like you’re supposed to:

Put the leading edge of the bandsaw on the crown of the wheel like that and it has the most tension and thus is the most resistant to buckling when you shove wood into it; but you don’t want the thrust bearing rubbing on the back of the blade when you’re set up like this or the blade will behave oddly. With the new bearings, there’s just enough clearance (maybe 0.2mm but that’s sufficient).

And yes indeed, it does now cut much better than before with this blade, tracking straight down the pencil line instead of doing a drunken walk from one side of the line to the other and leaving you jockeying around the piece to try to minimise the amount of planing you’ll need to get it set afterwards.

And so, on with installing my redneck fence and starting into the bandsaw box by cutting off the back.

BTW, sanding with the triton sander is waaaaay less scary than sanding with a belt sander under a holdfast on the bench, so +1 for that, but they are out and out liars of the most bare-arsed kind when it comes to noise level ratings. If I turn this thing on and shove my fingers into the spinning belt, sanding off all my fingernails, nobody outside the shed would know because they’d never hear me over the noise of the sander. Hrmph.

Still, works. Going for a vertical format box here.

Glue-up tonight, more sanding tomorrow, some oil and a coat of shellac and done.

One box, all the clamps. How many clamps should I bring to the glueup?

And I’ll leave it there. I’ll try to get another coat of osmo on the legs tomorrow morning before work and another in the evening and if I can, that should be the table complete. I’ll assemble it, take a few photos, and then pass it on to its intended recipient.

Honestly, I’m not screwing around with the photo here, it actually is black enough that it’s confusing the camera’s not-so-clever white-balancing.

Dec 17

Time to finish

Small delay getting to the shed on Sunday.

Well. It’s a kind of woodwork.

Anyway, that evening, at around -3C in the evening. off to the shed. There were feet to shape.

I know, I know, Richard Maguire does it with a chisel. He also has enough room in his workshop to stand at either end of this bench. Anyway, the fretsaw was in need of exercise. So once the curve was cut, I used the spokeshave and a paring chisel to clean it up and cut a chamfer around the feet.


And they don’t rock, happily. And I’d put in a bullnose profile on the front sides using then #5 and #4 and a cabinet scraper.

Unfortunately, that meant it was time for the job I was putting off. Out with sid…



Also after:

If anyone ever asks if it hurts to cut yourself with a chisel, the honest answer is no, they’re so sharp you don’t notice you’ve done it till later. Slipping with the scrub plane and slamming your hand full force into the dull edge of a planed-square board with a metal plane behind it, now that hurts.

Still though. Pretty.

Okay, time to set it on fire.

No, seriously.

There. Nice and discreet.

Then back upright for the last time.

And one good stare later (and a few minutes cleaning up the stuff I spotted with the cabinet scraper), it was time for disassembly for the finish.

For the top, it’s pretty simple. I chose the grain for the top and planed it to look nice, so that just has to get shown off. It’s getting a few coats (probably three) of osmo:

Just ragging on and sanding back when dry with 600 grit paper (it’s resting on the four bolts in the inserts there, I haven’t figured out how to levitate wood yet).

Nice rich colour when it’s wet, we’ll see how it holds up when dry. Then flip over and apply the first coat to the top nice and carefully.

The legs are getting a slightly different treatment – they got sanded down with 240 grit to open the pores from the plane finish they had, and then painted with oak shaving tea (collect two handfuls of oak shavings off the floor, boil with some water in a saucepan and then simmer for ten-twenty minutes, put water and shavings in a jar when cool):

The idea is that the liquid is now very high in tannic acid without having to go on ebay and buy tannic acid crystals. Paint that on the oak and you raise the tannic acid levels and raise the grain at the same time. So on monday night, I sanded down the legs with 240 again as they had dried (not bad going given that the shed hit -5C overnight) until they felt dry and smooth again and then repeated the oak shaving tree routine. I’ll sand them down again tomorrow and reapply the oak tea for the third time but this time I’ll just let them dry for a half-hour or so until the wood is damp but not wet; and then I’ll apply the other half of the magic, a solution of vinegar that has dissolved steel wool over the last week. The iron and the tannic acid will react and ebonise the oak. The end result should look like this if it all works:

In the meantime, something arrived in the post…

New bearings to use as thrust bearings in the bandsaw with a larger blade size. Gotta love the lego-parts aspect of mechanical engineering…


Dec 17

Standing upright

Last few days have been the first really cold ones of the year. -2C to -3C in the shed. And work was… somewhat excessive in the last few days so tonight was the first time in the shed in a few days and a to-do list was waiting. So…

Ran a slightly larger drillbit through the aprons to give some flex room for the bolts, and flattened the top of the aprons (I also spent a half-hour before this with the scrub plane and #5 flattening the underneath of the tabletop and hand-cutting the panel to width to trim out the worst of the bandsaw wobble).

The stainless steel inserts arrived on Thursday in the post, thankfully. Seems everyone makes these in zinc-plated steel, but actual stainless is a bit hard to find.

Bit of faffing about getting the legs centered on the tabletop, then putting in the drill bit and thwacking it to mark the drilling point with the drill bit (it’s a brad boint bit).

And now it’s time to drill the holes for the inserts. Look closely enough and you can see the marked point.

El cheapo drill bit depth stop so I don’t drill through the table. I have a fancy one for auger bits, but for drill bits, it’s blue tape time. What could possibly go wrong?

Oh. Right. Well, at least I noticed the shavings were shoving the tape backwards before I chased it right through the table.

Who says calipers aren’t good for woodworking? Check length of insert with calipers, get automatic depth gauge setting on the other, stabby end of the calipers. So I drilled the rest of the insert holes, stopping to poke the stabby bit in the hole until I had my depth.

Then it was time to realise that Richard Maguire had gotten inserts that you put a hex key directly into in order to drive home, but these sodding things need a bolt put into them and you drive them home with that. And since they’re going into a blind hole, the bolt has to be shorter than the insert. I managed to find some short M6 bolts (they came with the Triton sander as the bolts to bolt it down to the table with but I had my own), but they were too long. So. Time to break out my metalworking setup 😀

This is my metalworking setup. It’s a Record Imp, which I got back in February. It’s a nice lightweight metalworking vice designed to be clamped to a bench by people who didn’t need a full-size machinist’s vice. And it has nice features – you can bend pipe with it, you have a small anvil at the back and a striking surface (that small round thing just behind the jaws) and so on. Plus, it’s old – it’s a later model so this wasn’t made in the 1930s but it would have been somewhere between the 1960s and early 1980s, before Record went downhill. This is a small vice, but it is not a toy vice. I’ve screwed and clamped it down to a scrap piece of inch-thick oak, which then gets holdfasted to the bench.

So I clamp the bolt in the vice, mark off the length I want, remove the insert from the bolt, then fire up the dremel with a cutting disk (it’s a 6mm bolt lads, if I fired up the angle grinder it’d be like firing a sandblaster at sponge cake) and nip it off.

And now, just because we can, out comes the file and the tap-and-die set…

File off the sharp bits left by the dremel, recut the start of the thread after the file’s mangled it. Then thread the bolt into the insert and get out the socket driver.

Now, pick up that 14mm long insert, in a shed where it’s around 6-7C, slip with your fingers and drop it down behind the bench into the sawdust and shavings.

Swear profusely.

Get out the magnetic-head telescopic torch thing…

Right. Enough faffing. Paste wax to the threads and drive it on home.

Nice. Now we just do that with the other three…

Why is it spinning so easily on insert #2?

Ah, shite.

Apparently my bolts are made of particularly firm cheddar.

Mole grips to unscrew the insert, pointy thing to screw the bit of the bolt still stuck in there out the back of the insert (glad I didn’t get the blind inserts now).

Okay. Prep another bolt. Repeat all the steps above. Keep going, but be more careful this time.

Shite! At least I felt it go this time and stopped fast enough to be able to unscrew it in one part. Prep another bolt…

Felt this one going before it snapped. Definitely cheddar.

At least all four are in now. I might come back if I can find a non-cheese bolt and drive them below the surface later. For tonight, that’ll do.

Bolts in, and they fit (they’re a bit less than drop-in, but wood moves, blah, blah, blah, that’s my excuse and I’m sticking with it.

That’s a pleasant sight 🙂

Out with the MDF board at this point for a flat surface and check the rock – the front left leg there is about a millimetre out. Plus the feet are all at 12 degrees to the ground because geometry, so I mark off a flat on each leg, disassemble the table and even the legs up. And I leave it there for the evening. I’ve been up since… well, I was in work till around 0400 this morning after getting called around 2330 on friday, and I was back at work just before 0900 until 1730. On-call sucks sometimes. Oh well. There are worse complaints.

I have to shape the feet and thin the table edge and do the final smoothing of the tabletop and legs (cabinet scraper time!), all of which are finesse tasks so I’ll leave them for tomorrow, and I can be starting the finishing by tomorrow evening which is a good timetable for this.

Oh, and I also have a custom scratch stock profile to file. I’d rather do this with a hollow plane, but I don’t have hollows and rounds and I know (a) how much a set costs and (b) how much space one takes up 😀 So that’s not happening for a while. Hell, that was why I got the #050C combo plane, but alas I didn’t get the special doo-dads to let it act as a hollow or round 🙁  I’ve got an eye open, but the problem with the combiplanes is that they came with a lot of bits and doodads, and that was in 1930. You can’t keep both socks together for more than six months before you’re suddenly looking at lefty pining for righty who is has returned to the fjords; what odds that someone will have all 53 pieces from the original combiplane box that they bought in 1933?

So obviously, I just need to get a set of hollows and rounds.

looks up prices

passes out

Holy crap. I could buy two cars (second-hand) for the price of a set. Sod that. I wouldn’t have the room to put them anywhere anyway and the larger ones are all for things I don’t have the physical space in the shed to build.

But on ebay, unmatched planes (“harlequins” apparently, in a rare example of nice naming) are way less expensive – you can pick them up for a pound apiece in some cases. So I’ll probably wind up buying one or six hollows/rounds/beading wooden planes over the next year. You don’t need all that many for the kind of stuff I do. I might start with one that matches the profile above, which is drawn to match one of my gouges to do some decorative carving work.

I guess I’ll just have to try my “build something and sell it to pay for the wood” plan this year to let me do that 😀


Dec 17

Resawing sucks.

Honestly, if there is a better argument out there for buying a large bandsaw I haven’t heard it yet.

Yes, I’ve heard of roubo frame saws. My shed hasn’t enough room between the face vice and the wall to use one.

Yes, I have western hand saws. I either need to resharpen them or recut their teeth because the best one I have didn’t want to cut.

Yes I have a bandsaw already – it can’t resaw anything over 75mm. That there is 115mm.

So, wax blade, yank handle, shove handle, repeat till ticked off enough to pull board halves apart by brute force, plane off worst of the gack in the middle with scrub plane, give outside a few passes to mitigate uneven drying, repeat.

What, you thought there was an art to this? No, it’s just donkey work. And if you get too ticked off and pull the board apart too early…

It rewards you with a great big divot out of one end. Well, at least I don’t need the full length of any of these boards.

Left them standing upright to dry and warp overnight.

At least I got both boards resawn. That was more than I had expected to do.

So I had a play with my Lee Valley scratch stock and a gouge. I was watching some old Peter Follansbee videos and saw what I thought would make a nice decorative element on the rails of the chest. This kind of stuff shows up on the 17th century oak furniture he specialises in and was very common in the period, and since this is basically a 17th century design tarted up a bit, it seems appropriate.

Plus it’s pretty fast and simple to do, though I do need to experiment a bit more – I really need a round or beading plane or a custom scratch stock to form the surface in the middle before cutting the segments out. This took all of five minutes or so to do by the way – it really is fast when you know how (scratch stock bead line with a fence, chop at right angles with a gouge at regular intervals on that bead line, scratch stock bead line on the other side of the chops, then carve one scoop from gouge chop to gouge chop with the same gouge). How to actually end it when the rails hit the stiles is the main problem. I’m not sure how to continue it around the stiles/posts you see. I mean, I could try freehanding it but that seems wrong somehow unless I can get the rails and stiles utterly flush.

And the threaded inserts didn’t arrive today. Bother.

Tomorrow I’ll square up the stock and try to get the panels cleaned up a bit more and do something about that lid. I’d like it to have a small curve to it if I could, but the only way I can think to do that involves taking an inch-thick board and carving it with planes. And I don’t know about that – it’d be heavy and I’d have no way to prevent it warping with movement, which a frame-and-panel lid would address. I mean, according to the bible, it’ll move by 2.8% tangentially over the 30% humidity change between a summer and winter indoors around here (gotta love central heating), that’s almost a full centimeter of movement across the width of the lid. Make that from a solid block of wood and you won’t have a lid for half the year.

What’s the bible? Fresh from abebooks.co.uk:

Basically, a few hundred species of tree, with notes on things like general working properties and data like how much it moves when seasoning and when doing a 30% humidity swing and what its density and tensile strength is and so on, all done by a UK government office back in the days when this was what governments did. Yeah, it’s 1956/7, but tree species don’t change that much that fast (other than going extinct).

Bloody useful books.

Dec 17

Toothy prep

Well, that decided where to start for the evening I guess. I ripped the panels first, and then changed the blade because it was just wandering too much, and then cut the rails to approximate thickness and the stiles to rough thickness and straightened.



Bunch of small thin stock gathered as well. I’ll leave that dry on its own, see if it stays unwarped.

Then on to cleaning up edges on the panels.

And then checking to see if I have enough width on the panels…

Yup, all good. Just resaw those and it’ll be grand.

Then on to cleaning up the faces of the rails and stiles. Started on the stiles and on the first pass it became obvious there was a problem.

Even a close-set #5 left huge tearout, really nasty stuff. So, time for the secret weapon.

Meet my new #6 toothing iron 🙂

Thing about these is, they leave a shitty-looking ridged surface, you’re never getting a clean finish with these things – but you also never get tearout.

So you can get the board flat with this, then come back with a tight-set smoothing plane and scrapers later and clean the surface up.

So got all the rails and stiles processed that way.

All set. Just resawing to do, but now it’s 2130h so I just marked up the resawing with a cutting gauge and called it a night.

Not sure if I’ll use the ryoba or the rip handsaw. Might try the handsaw first.

I still have to sort out what I want to do for a lid, I need to check my stock and have a think. The floor will be cedar for the nice smell, I have some set aside for just that purpose for the last year or so.

Oh, almost forgot, dove into Lenehan’s pick-n-mix…

Score. I’ll have to trim off 25mm or so with the dremel and tidy it up with a file, but that beats a bolt that doesn’t reach the tabletop fully. Now if the inserts would just arrive I could get on with the table build. At this rate, if I can resaw one panel board per evening, I might be ready for joinery on the chest by the weekend and if the inserts get here, I might be ready to start finishing the tabletop by then as well. That’d mean both would be ready by the time I want them ready.

And I’ve a bandsaw box I want cut over the weekend as well, but that should be much faster than before now that I have the bench sander.

Dec 17

Not progress…

Hm. Well, I guess not every day is going to be a great shed day. Stupid “job” and stupid “mortgage payments”…

At least the walnut blank for the bandsaw box came out allright.(That white glue streak is from where the bad saw cut was. The design will have to cut around that).

But I couldn’t drill the tabletop for the threaded inserts because they’re not here yet, so I just cleaned up the glue squeezeout from the table legs.

The new plastic razor blades were actually really useful here.

I guess you could just have a thin plastic knife for this (or a scraper if you didn’t mind then scraping out any scratches from the surface finish). But they were on sale and try anything once.

I got out the feeler gauge as well. There were places here and there where I could get a 0.2mm gauge in, but only on one shoulder was that consistent. And the ends didn’t look too bad.

Mind you, the bolts that are to hold the tabletop on… they were 70mm. They really should have been 75mm (but I couldn’t find those. Time to go hunt round the pick-n-mix hardware section in Lenehans and Woodies I suppose).

I mean… they’re nice and all but… I don’t think 5mm of thread is going to have much strength, y’know?

So, suitably annoyed I turned to the new project. Now it was 2100h by this point, so anything noisy was right out, but there was still some marking up to do. And I had to hunt up some timber for panels.

This should do it, but there’s a catch… that has to get resawn.
I’ll rip it down the centerline (well, not the centerline but the center line of the grain pattern, for symmetry) and trim off the edge waste with the bandsaw, but the resawing has to be done by hand because the panels are too wide (they’ll be 4 and five-eighths wide and who invented this stupid system of measurement and I’ll be converting this to mm as soon as I finish converting the rules-of-thumb on panel sizes and groove depths).

I remember the resawing from the cot. I’m not looking forward to this. I’m just hoping that it’s easier to resaw a 4 and 5/8″ board than an 8″ one. And maybe I’ve gotten better at this in the last year. Maybe.

So the posts are cut long to leave horns (yes, that’s the term) above and below the mortices (and leave space for legs as well). Once the mortices are chopped and the tenons fitted those horns can get trimmed off but during the mortice chopping they give some extra strength to the piece. I forgot this when making the front legs in the sidecar cot and chopping those out was a bit of a faff as a result to avoid accidentally splitting them out.

Then looking at the rails and stiles. The rails are straight enough, so I have face and edges nominated, and I marked them off for a 3/4″ thickness.

The stiles on the other hand, all have a kink that I’ll have to cut out.

Lovely rays though.

I’ll just mark off the straight portion and roughcut that on the bandsaw and then plane the faces (I’ll do something similar on the rails – roughcut outside the line and plane the faces – I’d like to save a chunk of the waste though, quarter-inch stock is handy for boxes).

Prepped for tomorrow. I’ll run a scrap through it to see if those guides are behaving themselves first, but I may need to swap them out and maybe the blade as well.

Dec 17


I actually managed to tick off almost every line on the to-do list for the week by Sunday night for a change. Before doing any “real” work though, I had to get the new interlopers off the bench. It’s been a while since I did framing-level work with 2x4s, but it’s like riding a bicycle…

…downhill on a wet slope towards a brick wall while blindfolded.

But since I didn’t care what the end product looked like, it was fast enough work…

Rough as 10-grit sandpaper, but it got them off the bench and me back to it. I might make something less… industrial at some point, but for now…

That’s the table legs profiled and rounded on the back (the front has to wait until the frames are glued up). Next to drill the holes for the tabletop attachment screws and that needed my big cordless drill…

I quite like that drill, it’s in magnificent condition for something that’s getting on for 70.

It is, by the way, a nice luxury to have a brace that’s dedicated to countersinking holes. You wouldn’t think it, but you tend to use it a lot…

And glueup. Hide glue again, hence the hot water bucket (hide glue and Irish winters don’t mix well). And that’s where I left it on Saturday evening.

On Sunday morning, I took off the clamps and things looked okay, so I got the tabletop up onto the bench and marked off the final sizes. Not much trimming needed in width, really just straightening up the edge there, but a good three inches came off the length because otherwise the table would be tippy.

I did try using the bandsaw to do the rough-cut there but it *really* didn’t like my new experimental bandsaw guides…

Teflon rod instead of the steel rod that had been there. Oh well. I might just have been overloading it with torque in the piece because it was so large it was almost unmanageable, so I’ll test it on some smaller pieces later and either leave or replace the teflon guides with the originals.

With it trimmed to size (at least roughly, the end grain is going to need a final session on the shooting board), it was on to smoothing the tabletop. Oddly the #4½ wasn’t getting it done even after touching up the blade on the diamond stones; I had it set to a really high cutting angle last time I was working with it, on some sapele; I guess it’s just not biting on the oak as a result, though I’m not sure why not. Oh well, out with the #4 instead and that got it done quite nicely. It’s not fully done; I want to use the #5 to smooth the underneath a bit, and attach the top and then I’ll come back and finish up the smoothing work on the top.

Then on to the next project and picking out the wood from the board to match the plans. This will be a blanket chest – if you know what that is, the scale might seem strange, but there’s a reason for it (just run with it being a very small chest for now). I had a 9×30″ oak board that I could get all the rails and stiles from, even if it has a nasty bow a few inches from one end; but I want a final thickness of three-quarters of an inch and it’s just over an inch now so I can get that bow out. The posts I already had gotten from some 8/4 oak at the end of last week.

The bandsaw might be fussy but it does let you get rips done fast… even if you then have to spend a while with the #5 to get the edges back to being clean again.

Just trying to get a feel for the overall size there (it will be smaller than this – the joints aren’t cut and the oak’s not thicknessed yet). There will also have to be panels, this is just the frame, but one thing at a time. And I have an idea for the floorboards as well.

Finally going to get to use the pigsticker on this one 🙂

All the grooves cut in the posts. I’m wondering whether to thickness the rails and stiles before or after grooving. I’m leaning towards after. I didn’t dive into the morticing either, it’s too late in the day at this point for that, I’d wind up morticing the wrong groove somehow.

So, last job of the day, glueing up a blank for another bandsaw box.

An offcut of walnut from a long rip that went badly (you can just see where the saw wandered there). It’s a bit small for anything else really, but for a bandsaw box it’s grand. Also, walnut. It’s basically cheating using this stuff (and at nearly €90 per cubic foot, it’s definitely pay-to-win cheating).

And I’ll leave things there for the evening. The last piece of hardware I need for the table should arrive on Monday, and I might be into the finishing before the end of the week if I’m lucky, as well as making progress on the chest and the bandsaw box.

Nov 17

Sounds okay

Couple of bits and bobs arrived in the post today:

Some brass-plated hinges for the next project, a silicone hose adapter to try to improve dust extraction from the bandsaw:

Beats a spring clamp and a bungee cord.
And this little doodad as well:

I’ve been wondering how bad the noise from the shed actually is for the neighbours you see. Enter the Uni-T UT353, a cheap little noise meter from Shenzen. And after a wee bit of experimentation, some pleasant results – the loudest thing with the bandsaw running is the vacuum cleaner that does dust extraction. It’s 87dbA in the shed itself with the door shut; 65dbA just outside on the decking; and it’s 55dbA back on the patio by the back door (for reference, it’s 65dbA inside the kitchen with junior watching Rescue Bots and the other usual sounds of life).

Now, start cutting wood and that does change a bit – 102dbA inside the shed, 83dbA on the decking and 74dbA back by the house. But that’s still only up there with a car driving past, not the you-definitely-need-hearing-protection levels that were my only experience of it so far (because I’m in the shed you see).

So that’s nice to know. I don’t think I’ll be getting anything noisier (the sander is rated at 76dBA) and frankly I don’t want to; and I limit the hours I use the bandsaw to anyway because people have to work (and anyway, apart from the boxes, I don’t use it for much beyond rough cuts).

Tonight for example, I took some of that 8/4 oak which I’d rough-sawn (by hand because it wouldn’t fit in the bandsaw) to about 1′ lengths, and I trimmed off the damaged edges (pack straps tend to mangle those) using the bandsaw.

I should get the four pieces I need from that for the next project without much trouble. I just planed the sides flat and marked a centerline; I’ll cut that in half tomorrow and then in halves again, and then trim the depth on the bandsaw (because thicknessing from 8/4 to 6/4 is a bit much even for a scrub plane like Sid). I’m taking this slow in the (probably vain) hope that’ll minimise the wood suddenly jumping into twist or warp or cup or bow…

Then some mucking about with the legs and checking faces&edges and planning the profiling of the legs and whipping up a quick check-piece from a poplar scrap to see if the thing in my head looked the way I thought it would when I see it in real life:

I like the tapering off towards the back of the leg, not quite like an aerofoil shape but the same kind of idea. I think it’ll give it an interesting look (it won’t be quite so asymmetrical, but the size of that piece made it hard to hold which made it more awkward than it will be for a full-size leg).

And then I just laid out the tools for tomorrow and closed up the shed.

Quiet night tonight, I guess I’m just tired from the sudden arrival of winter…

Nov 17


Okay, winter’s here.

And of course that leaves us with the eternal question, why is it always the show face that chips out?

But at least the CA glue did the trick. And on with cutting more leg joints and then apron joints and then test fittings…

Chop, chop, chop…

Swear, swear, swear…
And then recut the mortice so the leg comes up above the apron to be trimmed.

At least the joints are tight enough. I can just about get a 0.10mm feeler gauge into parts of the joints when they’re set; I can’t get the 0.20mm one in.

So that’s all the leg joints cut, now, time for the halving joint for the aprons.

Looks okay, it’s the right way round at least (don’t have legs going up on one side and down on the other…)

But it’s a bit gappier than I’d like. Still, it won’t be structural, there are bolts going through each apron to anchor the tabletop, and there won’t be stress on the joint as a result.

Ha! It doesn’t collapse!

Then a half-hour or so flattening the tabletop with a scrub plane across the grain. That’s such a fun job, it really is…

And then I discovered I don’t have the stainless steel inserts I thought I had and I’ve had to order more because apparently nobody has them in Dublin. Gah. I’ll try the local shops tomorrow but I don’t think walking in will lead to better results. But you have to try. Worst case scenario, I have to wait a week or so and work on another project in the meantime, which is doable. Best case, I find them and the ones on order will do the next one of these (I have the rough-cut bits for more than one of these tables).

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