Still hobbling round the place today with the sartorious, so working from home (the joys of IT – you can work anywhere, meaning you can work when sick). Over lunch, I tottered to the shed and flattened the board I was going to pull the rails from, and shot a reference edge with the #08.

The stain’s from accidental contact with the ebonising potion from the table build, but it’s surface only so it’ll plane out. Out with the panel gauge and mark off 2-and-a-quarter inch laths (we want two-inch-ish wide rails when it’s all done and squared so I’m leaving room for cack-handedness).

Back to work at this point until around about fourish, at which point I get stuck waiting on system tests, or in XKCD terms,

So to the bandsaw (rather than the ryoba because time). Ripped all four parts, then out with a medium-set #05 and a fine-set #08 and a straight edge and a square and a marking gauge and we get reference faces and edges on all four of these and mark off the reference faces for thickness.

This doesn’t take long and I leave the four parts marked up for resawing on the bandsaw and head inside for dinner. The light was fading and it was gray overcast when I went into the shed, then I open the door and…

Sneachta! And someone’s not seen this before…

Later, after dinner, back out to the shed and onto the bandsaw, resaw the pieces down to thickness (we want about three-quarters of an inch so the gauge was set to seven eighths (the pieces are about nine eighths thick)) and then it was back to the #05 and #08 to get the bandsaw marks off and the faces clean, and then taking them to S4S which didn’t take very long.

Ready for joinery. That was all I wanted done in the shed today (pick small goals, you’ll feel better), so I opened the door to go back inside and again, more sneachta!

Doubt it’ll last though. Oh well. We have driving wind and freezing rain on the way to replace it apparently…


So I get the ‘flu shot every year, but apparently the strain picked for the shot this year did not tally with the strain that showed up in Ireland (apparently from Australia of all places) and it’s been rather rampant of late…

Also, in an unrelated topic, meet the longest muscle in the human body, the sartorious muscle:

So, can you guess what happens if you catch the first and pull the second? Did you guess four days flat on your back in bed doing nothing shed-related past reading Alan Peters’ book on cabinetmaking (interesting read btw, as it’s less “here’s how to cut a dovetail” and more “this is how you run a successful woodworking business”, which is a nice look into a different world) and watching an endless train of Japanese cabinetmaking and Roy Moore videos? So the project I was working on has stalled until this evening bar an hour on Sunday. Yay.

There are however, some new toys. So here’s my current dust collection rig:

Yes, I collapsed it, but it still works. I need to build a safety valve. However, it’s also a 60L drum because when I ordered it I didn’t quite know what I’d need and I was overly cautious. And now it’s eating space so I wanted to downsize – so I ordered a 30L drum and it arrived right after christmas, just when I couldn’t do anything with it.

So I’ll try fitting that as soon as I get a chance (it’ll have to be a weekend I think). That should get me a chunk of space back.

Also, I was watching Peter Follansbee again and he was making pegs for drawbore joints and he has this lovely mini meat cleaver thing for the job:

All I have to use is an inch-and-a-half chisel which is not the most stable of arrangements because you’re trying to hit a point a foot in the air above a peg-sized piece of wood balanced on end and held in place only by the chisel edge which is neither easy nor terribly safe. However, in the video Peter mentioned that a glazier’s hacking knife was a good modern substitute, so I looked them up and they’re dirt cheap and I need pegs for the current build so…

One cheap hacking knife. Should be far more controllable and safe for the splitting, but we’ll see. I kinda want to take the grinder or a file to the point of that thing and get rid of it though, just have a flat blunt end at the front of the knife.

And the pin chuck I ordered last year arrived…

along with the 12″ speed square I’d ordered (mostly because this is the tool I keep wanting in the timber yard rather than the framing square I have at the moment):

More tidying may be needed at some point 😀

Oh, and a few places on ebay were doing sales on brass hardware so I picked up a box of the things because after the wall cupboard build I didn’t want to get caught without a handle at short notice again. And some hinges because I looked at the shiny brass against the oak for the current build and it’s not quite right. But we’ll see. Mostly this is just stuff bought because it was going for less than half price.

And these were a few design punches bought for very few peanuts as part of the whole “learn 17th century carving” idea. They work great on something like walnut:

(That’s my reference stick for my gouges in case you’re wondering)
But in oak, which the carving is done in:

Just too faint to be made out. Too much detail in the punch for the grain of the oak to take on. Oh well. Into the toolbox for later they go. I have a few more that were ordered off ebay that are on their way, I’ll give those a try when they get here. At least two or three of those are re-workable with a file but seem to be the stippling pattern Follansbee was using in his work. They won’t be needed for a little while though, thanks to the flu delaying everything.

So I got back to grooving the rails tonight – or at least tried to. I’ve been having some issues with the grooving using my Record 044. Ralph over at Accidental Woodworker has been having some issues with his as well, and I thought it might be a common problem but it turns out my fence is aligned okay. My skate’s bottom isn’t perfectly at 90 degrees to the skate sides – you might just be able to make that out in the photo – but it’s only out by a few degrees and it’s so narrow that can’t be the problem either. The grain on the oak is squirrelly and reversing half-way along the rail, but I’m getting horrible tear-out before I even get to that point:

That’s with a freshly sharpened and stropped iron (even worked the back of it just in case I’d missed that iron somehow when rehabbing the 044). I spelched out through the rail completely on the first try on this one and had to plane back to the reference edge and start over, so when it started tearing out here, I got out the cutting gauges instead of just the mortice gauge and sliced the nearest edge very deeply.

Then I got out another cutting gauge (which happens to be about seventy years older or so and actually cuts better) and sliced the far edge the same way.

Then with the 044 set for a very fine cut I got a okay-ish groove cut down to depth; but it wasn’t even. I used the new Japanese chisel to chop the far edge to properly vertical rather than the gentle curve it had become, but then I noticed that the 044’s fence wasn’t even in contact all the way along to the same degree. I must have been tired – it took another five minutes of staring at it before I realised that the rail was twisted.

I planed and prepped it to flat in early December; sitting in the shed through a few cold snaps and 60-70% humidity with the squirrelly grain in the wood must just have been too much for it and it pretzeled itself by a good few degrees. So did two of the other long rails. The last long rail was only slightly twisted, but it’s one of the uglier pieces because of a knot. The short rails were still fine and are still perfectly flat, as are the stiles, so they can still be used.

Luckily I have a rough-cut chunk of an oak board in the timber store that’s only a few mm shorter than the long rails (literally a few, three to four in total) so I’ll plane that flat and rip out new long rails from it. I’ll probably cheat and get most of the way to thickness by resawing with the bandsaw and take them the last mm or two of the way by handplane (I’m now quite short on time for this build and I’ve already been dropping elements from it to try to get this done by the end of the month). The grain’s less squirrelly in this piece as well so I might even be able to do some decorative elements on it if I’m lucky. Silver lining and all that. Oh well. I had to prep more pieces for the lid anyway (which I finally got a design for in my head that should be stable and relatively straightforward to do). Still a bit annoying mind you.

It’s not as annoying, however, as walking to and from work today (and standing on the Luas both ways) and then finding when I got home this evening that I’ve buggered up the leg muscle again, it’s all sore and swollen. Standing, no problem. A step forward or back if I don’t bend the knee too much, that’s more or less okay. Walking from the kitchen to the shed? Sortof like having someone stick in a hypodermic needle into the muscle and then breaking it off so it pokes you at random moments. I think I’m stuck working from home for a few days, this thing is not going to heal if I keep walking a few kilometres a day on it.

Back to work…

So back to work today. Checked the thermometer in the shed before leaving the house around 0715 or so…

And given the ice on the decking outside the shed, I doubt that was the low point either. Must remember to put another layer of paste wax on the planes this week to prevent surface blooms of rust.

I figured it’d be warmer by the time I got home but by 2000h…

Hmmm. Uninsulated shed in the middle of winter. Such fun. Oh well, new toys!

Some trammel points and a new 3″ square from Proops (turns out, if you have a 4″ square, you shouldn’t drop it or you’ll have a 4″ not-square…).

And I wanted to see what all the fuss over Japanese chisels was about so I bought a fairly cheap second-hand one (came to about €15 delivered). 8mm, just over the quarter-inch size, nice balance to it, lots of surface rust though. Some sandpaper and some time on the diamond stones later…

It’s a nice little chisel, takes a nice edge (eventually, it does seem to be much harder steel). I don’t see much of a hollow on the back but I guess that’s fixable somehow. Really does feel well balanced in the hand, they always looked a bit awkward to me but when you’re using them it’s a whole other deal. Won’t know how good it is for a while, obviously, but so far so good.

Then some mucking about with the #080 scraper plane on the chest rails (it works!) and I started in on the grooving of the rails…

That oak has pretty grain, but it’s a pain to work with. Scrapers, scraper plane, tight-set #04 skewed with the cap iron clamped down a gnat’s whisker from the cutting edge, all the tricks needed here. Should have the rails done in a day or three, depending on work schedules, get some more practice in on the carving for the panels, and start cutting the mortices and tenons this weekend. Need to prep some more material as well for the lid. Going to do that in a frame-and-raised-panel style, but I’m not sure if the center panel should be oak or something else for contrast.

More small jobs and practice…

All small jobs today in the shed. Well. Was a bit chilly.

And it was colder before I turned on the heater. Not going to get much better before the end of next week either 🙁 Onwards…

Got my new japanese saw bench hook finished:

Spare offcuts of walnut and plywood, with 19mm dowels from woodies (if you’re in the US, woodies is what Lowe’s would be if they dropped their timber standards significantly and jacked up their prices by 50%). The dowels drop into the bench dog holes:

In theory this would work on any set of two holes, but it turns out there’s just enough variation in spacing that it only works for this pair 🙁 Next time I build a workbench, I’ll be a lot more precise with a few things and dog hole placement is one of them. Still, this is the best placed pair for sawing for me, so it could have been much worse. Tried it out in anger making some small parts and it works nicely. Not sure how much abuse it’ll stand but it doesn’t feel too precious. About those small parts:

Honestly, this one will be funny, bear with me…

Then some more practice with the v-tool:

The results weren’t terrible but lots more time needed I think. The practice pattern from Peter Follansbee’s video is a lot easier to carve if you make it simpler when you work on a piece of wood half the size he’s using – there’s a minimum resolution limit, so to speak, in oak and challenging it is not conducive to decent results. Still though, a ways to go to get from this:

To this:

But I think it’s a small improvement on this:

And then I got out the old oilstone and a 10mm dowel and some sandpaper and took twenty minutes to sharpen up the #7 hollow and the reeding plane I got before xmas and gave them a try. I still need to work on the hollow, but the reeding didn’t go too badly.

It’s a bit hard to see here, but the two beads were nicely formed for most of the length of the run. It’s a bit of a faff setting up the plane, but when it’s set, it’s sweet.

A bit of practice with the gouge later and I got to see what I bought it for:

A lot easier to make those two beads with the reeding plane than with a scratch stock. A little more practice and I might actually be ready to use this on a piece.

About that oilstone. I’ve had it for ages, it was one of the first things I ever bought for woodworking, but I’ve never really used it much – never liked oilstones, they’re mucky things really compared to diamond plates – but it does seem to be a higher grit than my 1200 diamond plate. I was planning on getting a D8EE plate later this month (DMT, 8000 grit) because I thought I was about ready to add another step up in grit to the sharpening process now that I’ve got the hang of the basics; I might just try using the oilstone in the interim. It probably needs to be flattened though, and I don’t really know what grit it actually is; must find a way to test that, even if it’s just “polish something on the 1200 grit plate and then on the stone and see which one left the larger scratches”.

And there was a bit of fiddling about with parts for various other builds that are in progress right now, like this one:

And this didn’t work too badly either, but I can’t pein over the end of the nail so I’ll order some brass rod stock to use as the hinge instead.

Mucking out and mucking about

Couple of days out of the shed, mostly spent lying down and paying attention to all the little muscle cells as they turned to me and said “what the feck was all that then?”. Today though was bin day so back out to the shed and spent a half-hour cleaning up all the shavings and using the shop vac to tackle the sawdust.


After:And then, having made a clean spot, went and tidied the small section behind the tumbledrier there where I usually wind up standing wishing I’d cleaned that part of the shed.

And then, having cleaned everything up, time to play…

First off, I did want to see what the stains look like and to try to replicate this:

Granted, I don’t have resawn squares of flamed sycamore, I’m mucking about with bits of poplar, but still…

That was a bit of fun. I’ll take a peek tomorrow to see how it reacts to drying, and spray some poly on it to get a look at it under finish (it’s not actually for a project, I’m just experimenting).

Then on to the next thing; I got myself a solstice present of Peter Follansbee’s video on 17th century New England carving (I’m mad, me) and I wanted to try one of the basic v-tool exercise patterns:

Granted, I don’t have riven green oak or even quarter-sawn oak, I’m mucking about on an offcut from the table build – inch-thick kiln-dried flat-sawn oak. Grand for furniture, not so much for carving. Plus I need to sharpen my v-tool a bit more and I need some new slipstones because apparently you can shave the diamonds off diamond slipstones if you’re not careful when honing a gouge. Doh. And I don’t have all of Follansbee’s kit (which is worse than it sounds since he only uses six gouges and a v-tool…). But I have enough for one or two of the exercises (including this one) so on we go…

Natty little camping light spotted in a Big Clive video – handy since it has a magnet in one end and for throwing light across a surface with knifed marks it’s pretty useful.

The divider work is straightforward enough…

…but there’s a reason Follansbee makes it look easy and it’s twenty-five years of practise…

Still have all my fingers and no new leaks, so I’m calling that a win.

And a bit of BLO to show it better.

Well. First try. It’ll get better. Or it gets the shovel again.

And in the meantime I figured out what I wanted to do with those scraps I couldn’t throw away…


Well, I don’t have a professional studio backdrop for photos, but…

Didn’t come out too badly. I’ve cheated slightly here – the final coat of osmo on the legs is still tacky because the shed never got above 5C today, so it’ll finish curing overnight in the unheated kitchen. But the top has its renaissance wax and it’s been buffed. Tomorrow I’ll wrap it in some spare cloth I have and deliver it.

A day in the shed

So because I spent 2300 to 0400 on Friday night and 0900 to 1830 on Saturday working, I get a TOIL (Time Off In Lieu) day. Which I took today for reasons like waiting on The Plumber Who Never Showed Up. The plan was to spend all day in the shed. But since it hit -3C overnight, first things first.

Earl Gray, hot. With milk just to tick off the purists. And aren’t cast iron Japanese teapots nice? It’s the little things…

So with the shed at a balmy 3.5C, time to get to work, First, put the last coat of osmo on the tabletop and now I have to make some room and get the tabletop off the bench so I can get to it.

It’s not ideal, but needs must. And yes, I do need to clear away that rubbish in the wood bin, but this isn’t the countryside and neighbours wouldn’t take well to a small bonfire. Or for that matter, any fire involving wet MDF. I can’t blame them for that, I’d be miffed at needing a respirator in my own back yard as well. But I digress.

So the legs have been sanded down, given a last coat of the oak tea, let dry for five minutes so that right now the surface is damp to the touch but not actually wet. Time to apply the vinegar&iron solution…

That never gets old. It’s so dark it’s messing a bit with the camera’s auto-white-balance thingy, but it does that to the Mk1 eyeball too.

It’s a little… grubby looking close up. No worries. This is just the first stage, and I’m a bit oddball in that I like that pin-stripe-trousers thing the grain’s doing there. Dunno why, it just looks nice to me. However; now we give it about ten minutes to keep reacting (those were taken about 4-5 minutes in).

And after that time, we paint it in more oak tea, let it dry for five minutes, then more vinegar and iron solution, dry for five minutes, and then a last coat of the oak tea. At this point, it’s about as dark as it’s going to get in the time I have available (it will continue to react for the next 10-12 hours anyway and get darker as it does).

Wake up, time to dry.

They’ll go a kind of dusty purple in the next hour or three; that’s expected.

And now I have some time and a shed with a free bench….

I have an idea here. Trust me.

…or maybe not. I gave up on this idea here; I’ll come back to it over the holidays, but I can’t get it done today and I’ll just mess up the other things I’m working on. I guess recognising this kind of thing and giving up early is a good skill, but it still irks me.

Anyway, I do have something else on my to-do list for today:

Ug. Machines. And they’re ganging up on me now. Yes, it’s bandsaw box time. First though, I have a plan for that bandsaw…

Remember these? Going to fit the smaller ones.

Remove the older, larger thrust bearing.

Gunky! Now replace with the new smaller bearing.

The washer makes it look off-center, but it’s fine. The whole lego-part thing is great with these. Now for the lower thrust bearing, which is more awkward because of course it is. It’s not like being underneath the table would make it awkward enough, you also have to remove the entire assembly to replace the bearing.

Why is the lower post adjustable when you can’t reach it but the upper one isn’t? Le sigh.

Well. That explains a few noises. So much for sealed bearings.

And done. Modified thrust bearings, replacement teflon blade guides. And why go to all this effort? Three-eighths inch blades. Stronger than the normal quarter-inch blade, so you get better straight cuts on long rips (the main reason for having this bandsaw in the first place). But you can’t install them on this bandsaw properly with the normal thrust bearing – the normal bearing shoves the blade forward if you put the teeth gullets in the middle of the bandsaw wheel like you’re supposed to:

Put the leading edge of the bandsaw on the crown of the wheel like that and it has the most tension and thus is the most resistant to buckling when you shove wood into it; but you don’t want the thrust bearing rubbing on the back of the blade when you’re set up like this or the blade will behave oddly. With the new bearings, there’s just enough clearance (maybe 0.2mm but that’s sufficient).

And yes indeed, it does now cut much better than before with this blade, tracking straight down the pencil line instead of doing a drunken walk from one side of the line to the other and leaving you jockeying around the piece to try to minimise the amount of planing you’ll need to get it set afterwards.

And so, on with installing my redneck fence and starting into the bandsaw box by cutting off the back.

BTW, sanding with the triton sander is waaaaay less scary than sanding with a belt sander under a holdfast on the bench, so +1 for that, but they are out and out liars of the most bare-arsed kind when it comes to noise level ratings. If I turn this thing on and shove my fingers into the spinning belt, sanding off all my fingernails, nobody outside the shed would know because they’d never hear me over the noise of the sander. Hrmph.

Still, works. Going for a vertical format box here.

Glue-up tonight, more sanding tomorrow, some oil and a coat of shellac and done.

One box, all the clamps. How many clamps should I bring to the glueup?

And I’ll leave it there. I’ll try to get another coat of osmo on the legs tomorrow morning before work and another in the evening and if I can, that should be the table complete. I’ll assemble it, take a few photos, and then pass it on to its intended recipient.

Honestly, I’m not screwing around with the photo here, it actually is black enough that it’s confusing the camera’s not-so-clever white-balancing.

Time to finish

Small delay getting to the shed on Sunday.

Well. It’s a kind of woodwork.

Anyway, that evening, at around -3C in the evening. off to the shed. There were feet to shape.

I know, I know, Richard Maguire does it with a chisel. He also has enough room in his workshop to stand at either end of this bench. Anyway, the fretsaw was in need of exercise. So once the curve was cut, I used the spokeshave and a paring chisel to clean it up and cut a chamfer around the feet.


And they don’t rock, happily. And I’d put in a bullnose profile on the front sides using then #5 and #4 and a cabinet scraper.

Unfortunately, that meant it was time for the job I was putting off. Out with sid…



Also after:

If anyone ever asks if it hurts to cut yourself with a chisel, the honest answer is no, they’re so sharp you don’t notice you’ve done it till later. Slipping with the scrub plane and slamming your hand full force into the dull edge of a planed-square board with a metal plane behind it, now that hurts.

Still though. Pretty.

Okay, time to set it on fire.

No, seriously.

There. Nice and discreet.

Then back upright for the last time.

And one good stare later (and a few minutes cleaning up the stuff I spotted with the cabinet scraper), it was time for disassembly for the finish.

For the top, it’s pretty simple. I chose the grain for the top and planed it to look nice, so that just has to get shown off. It’s getting a few coats (probably three) of osmo:

Just ragging on and sanding back when dry with 600 grit paper (it’s resting on the four bolts in the inserts there, I haven’t figured out how to levitate wood yet).

Nice rich colour when it’s wet, we’ll see how it holds up when dry. Then flip over and apply the first coat to the top nice and carefully.

The legs are getting a slightly different treatment – they got sanded down with 240 grit to open the pores from the plane finish they had, and then painted with oak shaving tea (collect two handfuls of oak shavings off the floor, boil with some water in a saucepan and then simmer for ten-twenty minutes, put water and shavings in a jar when cool):

The idea is that the liquid is now very high in tannic acid without having to go on ebay and buy tannic acid crystals. Paint that on the oak and you raise the tannic acid levels and raise the grain at the same time. So on monday night, I sanded down the legs with 240 again as they had dried (not bad going given that the shed hit -5C overnight) until they felt dry and smooth again and then repeated the oak shaving tree routine. I’ll sand them down again tomorrow and reapply the oak tea for the third time but this time I’ll just let them dry for a half-hour or so until the wood is damp but not wet; and then I’ll apply the other half of the magic, a solution of vinegar that has dissolved steel wool over the last week. The iron and the tannic acid will react and ebonise the oak. The end result should look like this if it all works:

In the meantime, something arrived in the post…

New bearings to use as thrust bearings in the bandsaw with a larger blade size. Gotta love the lego-parts aspect of mechanical engineering…


Standing upright

Last few days have been the first really cold ones of the year. -2C to -3C in the shed. And work was… somewhat excessive in the last few days so tonight was the first time in the shed in a few days and a to-do list was waiting. So…

Ran a slightly larger drillbit through the aprons to give some flex room for the bolts, and flattened the top of the aprons (I also spent a half-hour before this with the scrub plane and #5 flattening the underneath of the tabletop and hand-cutting the panel to width to trim out the worst of the bandsaw wobble).

The stainless steel inserts arrived on Thursday in the post, thankfully. Seems everyone makes these in zinc-plated steel, but actual stainless is a bit hard to find.

Bit of faffing about getting the legs centered on the tabletop, then putting in the drill bit and thwacking it to mark the drilling point with the drill bit (it’s a brad boint bit).

And now it’s time to drill the holes for the inserts. Look closely enough and you can see the marked point.

El cheapo drill bit depth stop so I don’t drill through the table. I have a fancy one for auger bits, but for drill bits, it’s blue tape time. What could possibly go wrong?

Oh. Right. Well, at least I noticed the shavings were shoving the tape backwards before I chased it right through the table.

Who says calipers aren’t good for woodworking? Check length of insert with calipers, get automatic depth gauge setting on the other, stabby end of the calipers. So I drilled the rest of the insert holes, stopping to poke the stabby bit in the hole until I had my depth.

Then it was time to realise that Richard Maguire had gotten inserts that you put a hex key directly into in order to drive home, but these sodding things need a bolt put into them and you drive them home with that. And since they’re going into a blind hole, the bolt has to be shorter than the insert. I managed to find some short M6 bolts (they came with the Triton sander as the bolts to bolt it down to the table with but I had my own), but they were too long. So. Time to break out my metalworking setup 😀

This is my metalworking setup. It’s a Record Imp, which I got back in February. It’s a nice lightweight metalworking vice designed to be clamped to a bench by people who didn’t need a full-size machinist’s vice. And it has nice features – you can bend pipe with it, you have a small anvil at the back and a striking surface (that small round thing just behind the jaws) and so on. Plus, it’s old – it’s a later model so this wasn’t made in the 1930s but it would have been somewhere between the 1960s and early 1980s, before Record went downhill. This is a small vice, but it is not a toy vice. I’ve screwed and clamped it down to a scrap piece of inch-thick oak, which then gets holdfasted to the bench.

So I clamp the bolt in the vice, mark off the length I want, remove the insert from the bolt, then fire up the dremel with a cutting disk (it’s a 6mm bolt lads, if I fired up the angle grinder it’d be like firing a sandblaster at sponge cake) and nip it off.

And now, just because we can, out comes the file and the tap-and-die set…

File off the sharp bits left by the dremel, recut the start of the thread after the file’s mangled it. Then thread the bolt into the insert and get out the socket driver.

Now, pick up that 14mm long insert, in a shed where it’s around 6-7C, slip with your fingers and drop it down behind the bench into the sawdust and shavings.

Swear profusely.

Get out the magnetic-head telescopic torch thing…

Right. Enough faffing. Paste wax to the threads and drive it on home.

Nice. Now we just do that with the other three…

Why is it spinning so easily on insert #2?

Ah, shite.

Apparently my bolts are made of particularly firm cheddar.

Mole grips to unscrew the insert, pointy thing to screw the bit of the bolt still stuck in there out the back of the insert (glad I didn’t get the blind inserts now).

Okay. Prep another bolt. Repeat all the steps above. Keep going, but be more careful this time.

Shite! At least I felt it go this time and stopped fast enough to be able to unscrew it in one part. Prep another bolt…

Felt this one going before it snapped. Definitely cheddar.

At least all four are in now. I might come back if I can find a non-cheese bolt and drive them below the surface later. For tonight, that’ll do.

Bolts in, and they fit (they’re a bit less than drop-in, but wood moves, blah, blah, blah, that’s my excuse and I’m sticking with it.

That’s a pleasant sight 🙂

Out with the MDF board at this point for a flat surface and check the rock – the front left leg there is about a millimetre out. Plus the feet are all at 12 degrees to the ground because geometry, so I mark off a flat on each leg, disassemble the table and even the legs up. And I leave it there for the evening. I’ve been up since… well, I was in work till around 0400 this morning after getting called around 2330 on friday, and I was back at work just before 0900 until 1730. On-call sucks sometimes. Oh well. There are worse complaints.

I have to shape the feet and thin the table edge and do the final smoothing of the tabletop and legs (cabinet scraper time!), all of which are finesse tasks so I’ll leave them for tomorrow, and I can be starting the finishing by tomorrow evening which is a good timetable for this.

Oh, and I also have a custom scratch stock profile to file. I’d rather do this with a hollow plane, but I don’t have hollows and rounds and I know (a) how much a set costs and (b) how much space one takes up 😀 So that’s not happening for a while. Hell, that was why I got the #050C combo plane, but alas I didn’t get the special doo-dads to let it act as a hollow or round 🙁  I’ve got an eye open, but the problem with the combiplanes is that they came with a lot of bits and doodads, and that was in 1930. You can’t keep both socks together for more than six months before you’re suddenly looking at lefty pining for righty who is has returned to the fjords; what odds that someone will have all 53 pieces from the original combiplane box that they bought in 1933?

So obviously, I just need to get a set of hollows and rounds.

looks up prices

passes out

Holy crap. I could buy two cars (second-hand) for the price of a set. Sod that. I wouldn’t have the room to put them anywhere anyway and the larger ones are all for things I don’t have the physical space in the shed to build.

But on ebay, unmatched planes (“harlequins” apparently, in a rare example of nice naming) are way less expensive – you can pick them up for a pound apiece in some cases. So I’ll probably wind up buying one or six hollows/rounds/beading wooden planes over the next year. You don’t need all that many for the kind of stuff I do. I might start with one that matches the profile above, which is drawn to match one of my gouges to do some decorative carving work.

I guess I’ll just have to try my “build something and sell it to pay for the wood” plan this year to let me do that 😀


Resawing sucks.

Honestly, if there is a better argument out there for buying a large bandsaw I haven’t heard it yet.

Yes, I’ve heard of roubo frame saws. My shed hasn’t enough room between the face vice and the wall to use one.

Yes, I have western hand saws. I either need to resharpen them or recut their teeth because the best one I have didn’t want to cut.

Yes I have a bandsaw already – it can’t resaw anything over 75mm. That there is 115mm.

So, wax blade, yank handle, shove handle, repeat till ticked off enough to pull board halves apart by brute force, plane off worst of the gack in the middle with scrub plane, give outside a few passes to mitigate uneven drying, repeat.

What, you thought there was an art to this? No, it’s just donkey work. And if you get too ticked off and pull the board apart too early…

It rewards you with a great big divot out of one end. Well, at least I don’t need the full length of any of these boards.

Left them standing upright to dry and warp overnight.

At least I got both boards resawn. That was more than I had expected to do.

So I had a play with my Lee Valley scratch stock and a gouge. I was watching some old Peter Follansbee videos and saw what I thought would make a nice decorative element on the rails of the chest. This kind of stuff shows up on the 17th century oak furniture he specialises in and was very common in the period, and since this is basically a 17th century design tarted up a bit, it seems appropriate.

Plus it’s pretty fast and simple to do, though I do need to experiment a bit more – I really need a round or beading plane or a custom scratch stock to form the surface in the middle before cutting the segments out. This took all of five minutes or so to do by the way – it really is fast when you know how (scratch stock bead line with a fence, chop at right angles with a gouge at regular intervals on that bead line, scratch stock bead line on the other side of the chops, then carve one scoop from gouge chop to gouge chop with the same gouge). How to actually end it when the rails hit the stiles is the main problem. I’m not sure how to continue it around the stiles/posts you see. I mean, I could try freehanding it but that seems wrong somehow unless I can get the rails and stiles utterly flush.

And the threaded inserts didn’t arrive today. Bother.

Tomorrow I’ll square up the stock and try to get the panels cleaned up a bit more and do something about that lid. I’d like it to have a small curve to it if I could, but the only way I can think to do that involves taking an inch-thick board and carving it with planes. And I don’t know about that – it’d be heavy and I’d have no way to prevent it warping with movement, which a frame-and-panel lid would address. I mean, according to the bible, it’ll move by 2.8% tangentially over the 30% humidity change between a summer and winter indoors around here (gotta love central heating), that’s almost a full centimeter of movement across the width of the lid. Make that from a solid block of wood and you won’t have a lid for half the year.

What’s the bible? Fresh from

Basically, a few hundred species of tree, with notes on things like general working properties and data like how much it moves when seasoning and when doing a 30% humidity swing and what its density and tensile strength is and so on, all done by a UK government office back in the days when this was what governments did. Yeah, it’s 1956/7, but tree species don’t change that much that fast (other than going extinct).

Bloody useful books.

Stochastic Geometry is Stephen Fry proof thanks to caching by WP Super Cache

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