I didn’t write this up for a while. I just chalked it up as a really bad movie and a waste of talent and forgot about it. Then some gombeen gave that dross seven Oscars, so I wanted to rant a bit. Who gives out Oscars for proving that with only an obscene amount of money and a team of personal trainers, dieticians, professional lighting experts, veteran cameramen and a ground-breaking special effects team, a fifty-year-old woman can look good in her pants?
There were one or two good parts. I liked the effects. Sod that, I loved the effects, they were outstanding. I liked that someone paid huge amounts of attention to detail in the props (seriously, read any of the commentary by astronauts who worked on the ISS, they’re impressed by the level of detail there). The effects and the set design are hands-down the best I’ve ever seen in a space movie. Go find the guy who did the set design and give him another Oscar and then find the girl who did the effects and give her the Oscar for the next three years, their work was that good (and yes, I know, teams, those are metaphorical guys and girls I’m talking about). But the director and the writer? They took a fresh steaming bowel movement all over the entire thing by ignoring basic physics to shoehorn a really awful plot into a really great set of filmmaking tools and sets. Why didn’t they just take any one of the several hundred other books that have been written in the last few decades that had “space disaster” as a plot and where the math and reality actually didn’t take a day off? Go get the ones that won Hugos or Nebula awards if you think the … Read the rest